Finnish National Gallery

Olli Miettinen

La Piste II

During the 20's the visual arts underwent under the influence of the New Objectivety a simplification and clarifying of its forms. Cubism played its own important part in this development. The influence of Cubism was clearly visible in the works of Olli Miettinen (1899-1969). Picasso, Braque and Gris were the Cubist masters that Miettinen encountered on his trip to Paris at the end of the 20's, and who came to mean a new foundation for his art. I strive for pure colour surfaces - away from materiality. Still-life, La Piste II (1931) was painted in an attic room in Viipuri and was inspired by a copy of La Piste, a newspaper brought home from Paris. But Cubism was still too alien to the Finnish public; Miettinen's Cubist still-lifes met with no success in exhibitions and neither did they sell. There was no alternative but to go back.  [NEXT PAGE]

* Past, Present of Future? Problems of Orientation in the 20's and 30's * Ernst Krohn : Koulutyttö * Sakari Tohka : Nuoruus * Eemu Myntti : Uimarannalla * Yrjö Saarinen : Lepohetki * Vilho Lampi : Raita * Saunan katto * Eero Nelimarkka : Neiti Kekäläinen * The Noise and Quiet of the City * Väinö Kunnas : Kaupunkikuva * Harmaa tanssi * Sulho Sipilä : Luistinrata * Sisäkuva * Ragnar Ekelund : Nôtre-Dame * Olli Miettinen : La Piste II * Birger Carlstedt : Paysage étrange * Edwin Lydén : Ukonilma * Otto Mäkilä : Kesäyö * Satu * Wäinö Aaltonen : Jean Sibelius * Paavo Nurmen patsas * Graniittipoika * Kahlaaja * Aleksis Kivi, luonnos

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Olli Miettinen, works at the collections