Thus the art of the capital favoured above all nationalist values in a spirit of classicism, New Objectivity and Expressionism. But further away from Helsinki, in Turku, artists followed a considerably bolder and more innovative line. Through the decades Turku had upheld traditions as the location of the country's oldest art school. 1934 saw the founding in Turku of the Pro Arte society, which became the only association of artist in this decade that visibly promoted new international trends.
Edwin Lydén
(1879-1956) was a leader of the early
modernist generation in Turku. As a town Turku was encouragingly
approbatory towards Lydén who continuously sought new ideas.
Emphasizing its modernity and liberalness the city took an understanding
and favourable view of experimentation. Edwin Lydén was an artist who
kept an open mind and who never concealed his examples or influences.
Lydén's production contains both figurative and purely abstract works.
Past, Present of Future? Problems of Orientation in the 20's and 30's
Ernst Krohn : Koulutyttö
Sakari Tohka : Nuoruus
Eemu Myntti : Uimarannalla
Yrjö Saarinen : Lepohetki
Vilho Lampi : Raita
Saunan katto
Eero Nelimarkka : Neiti Kekäläinen
The Noise and Quiet of the City
Väinö Kunnas : Kaupunkikuva
Harmaa tanssi
Sulho Sipilä : Luistinrata
Sisäkuva
Ragnar Ekelund : Nôtre-Dame
Olli Miettinen : La Piste II
Birger Carlstedt : Paysage étrange
Edwin Lydén : Ukonilma
Otto Mäkilä : Kesäyö
Satu
Wäinö Aaltonen : Jean Sibelius
Paavo Nurmen patsas
Graniittipoika
Kahlaaja
Aleksis Kivi, luonnos