In the autumn of 1802 Alexander Lauréus (1783-1823) went to the Royal Academy in Stockholm by means of funds raised by a subscription among the citizens of his home town Turku. Thus Lauréus was the first Finnish artist to have been decidedly influenced by communal support in entering the profession. The visual arts were gradually seen to contain educative values that might have also a wider social significance.
Lauréus's career in Stockholm had a good start; he rapidly became a member of the Fine Arts Academy and soon gained the title of court painter. Meanwhile in Finland Turku was abandoned as the capital which was moved to the yet traditionless Helsinki. For the cultural climate this meant a long recession. As an artist Lauréus had no reason to return to his home country.
The developments of Lauréus's career and art were, however, closely
followed in Finland. In his art Lauréus had made a clear choice: away with
classical mythology and lofty religious subject; he would paint instead pictures
of ordinary people, everyday life and adventure. This was the kind of art that
was near to the man in the street. Lauréus's art, whose subjects consisted of
a free life in the country, roaming tramps and bandits, carefree herdsmen and foresters,
was suffiently remote from the commonplace to be interesting. At the same time
it was sufficiently familiar to avoid being rejected for abstruseness.
The Age of Romanticism
Alexander Lauréus : Nuori nainen pelaamassa pasianssia
Talonpoikaistanssit Suomessa
Metsästäjät nuotiolla linnanraunion luona
Munkki viinikellariksi muutetuissa raunioissa
Gustaf Wilhelm Finnberg : Anton af Tengström
Vapaaherra Rabbe Wreden muotokuva
Johan Erik Lindh : Jacobina ja Helena Simelius
Artistic life becomes organized