Churberg's contemporaries found it difficult to embrace the
fervour of her art. Her paintings seemed too strange, their colours
loud and garish, the harshness of the landscapes frightening to idealistic
tastes nurtured by Topelius,s spirit of idyllic nature worship. Churberg's
trees spoke of struggle against wind and storm, the solidity of her stones
seemed crushing and hostile. Churberg's season was dark late autumn
rather than bright snowy winter. Her favourite time of day was sunset,
dusk, moonlit night rather than the light of day.
The Landscape of the Düsseldorf School - Idealism, Serenity, Fervour
Werner Holmberg : Hämäläinen humalisto
Kyröskoski
Myrsky Näsijärvellä
Postitie Hämeessä
Hjalmar Munsterhjelm : Lähestyvä ukonilma
Berndt Lindholm : Koivumaisema ; Kauranleikkuu
Fanny Churberg : Talvimaisema, iltarusko
Kuutamo, harjoitelma
Talvimaisema
Karl Emanuel Jansson : Valkohilkkainen eukko
Ristiässä
Sakariston ovella
Valkoinen uuni