While Symbolism meant for many Finnish artists an interesting
phase in their work, for only one of them it became a working
principle throughout an entire life's work.
Hugo Simberg
(1873-1917) knew from the very start of his career that the
Realism-based teaching of the Art Society's drawing school was not
what he wanted. Therefore he very soon turned down the opportunity to
study in this school, applied and was accepted as Akseli Gallen-Kallela's
student in Kalela at Ruovesi, where the unquestionable leader of Finnish
art had withdrawn to work in the peace of the wilderness. But Hugo
Simberg had no interest for seeking out those genuine people and ethnic
types that his teacher searched for. For Simberg the genuine and the
original existed in the artist's mind and imagination.
The Age of Symbolism
Magnus Enckell : Lepäävä poika
Herääminen
Poika ja pääkallo
Ellen Thesleff : Toskanalainen maisema
Kevätyö
Omakuva
Viulunsoittajatar
Beda Stjernschantz : Kaikkialla ääni kaikuu
Ville Vallgren : Ylösnousemus, kevät
Kaiku
Leski
Ruusutanssi
Hugo Simberg : Halla
Näky
Syksy
Piru padan ääressä
Sallittu
Kuoleman puutarha
Satu II
Haavoittunut enkeli
Täti