Haarlem c. 1660 - 1704
The visual arts were extremely popular in Holland in the 17th
century. Even people of modest means bought paintings for the walls
of their small rooms. The art market was flourishing and there were
enough clients for the innumerable painters. This abundance of fellow
artists was perhaps the reason why many Dutch painters of the 17th
century specialized in some particular subject matter. Fairs, village
festivals and kermesses were distinctively Flemish subjects and they
culminated in the works of Pieter Brueghel in the 16th century. The
unembellished portrayal of the life of the common people was
brought to the Protestant northern Netherlands by Adrian
Brouwer. His pupil Adrian van Ostade was in his turn the teacher of
Cornelis Dusart, who was one of the late specialists in this
theme. Cornelis Dusart was an able painter, although he never quite
reached the rough poetry of Brouwer or the cosy, shabby atmosphere and
light touch of the Ostade brothers. Dusart's style was harder and
clearer and he used stronger caricatures as well as contrasts of
colour, light, and shadow in his works.
Cornelis Dusart
A kermess